Al compas del mundo – programa No.61

Al compas del mundo – programa No.61 - The original blues

It’s blues time again on El compas del mundo. And were going back to some of the forefathers, those that could be caught on vinyl. Bringing to Mexico and the streaming world all the gravel-voiced hootin’ ‘n hollerin’, jumpin’ ‘n jivin’, shimmyin’ and shakin’…though mostly painful recollections of how things have been, are, and always will be moving forward, world without end, amen. -J.H.

The hearing and speech impaired begin to talk.

AL COMPAS DEL MUNDO – programa #61, was first broadcast on Radioactiva.TX on 1-19-22

The original blues - USA Play List

01 Cat-Iron - Poor Boy a Long, Long Way from Home

02 anonymous - Little Red Rooster

03 Pattman - Low Down Blues

04 Peg Leg Howell - Skin Game Blues

05 Mississippi Fred McDowell - Big Fat Mama

06 James 'Son Ford' Thomas - 44 Blues

07 Robert Wilkins - I'll Go with Her Blues

08 Scott Dunbar - Lil' Liza Jane

09 Lovey Williams - I Feel So Good

10 Pink Anderson - Boll Weevil

11 Sam Myers - Eyesight to the Blind

12 Furry Lewis - Big Chief Blues

13 Blind Bogus Ben Covington - Mule Skinner Moan

14 Sonny Boy Watson - Have You Seen My Baby

15 Frank Stokes - What's the Matter Blues

16 Wash Heron and Big Jack Johnson - Nothing

17 George Lee 'Sun Bud' Spears - I Ain't Gonna Live It No More

18 Garfield Akers - Dough Roller Blues

Keeps everything in the barnyard upset - since 1928

Comments

British blues of the 60s y 70s

This has to be one of my favorite programs. The British blues scene gave us a healthy dose of reverential and, admittedly, imitative music that awakened a youthful audience suffering from pop fatigue on both sides of the ocean. Of course, the blues, as interpreted by young white musicians who couldn’t have been much further from the Mississippi Delta or the South side of Chicago, can be considered as cultural appropriation. At the same time, those involved in the scene have reminisced that playing the blues was largely a visceral reaction to a compelling combination of rhythm, lyrics and energy that was distinct from the British music scene up to that point. I don’t believe anyone at the time felt guilty playing the songs of their Southern US heroes. Does it make a difference that a number of these groups went on to earn far more money than the originators ever dreamed of? Probably, though many of the greats – Muddy Waters, John Lee Hooker, Sonny Boy Williamson and others – profi...

Nuyorican boogaloo cha-cha-cha

I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry. Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard thi...

Funk and Soul

Al compás del mundo - programa #169, 2-27-25, Funk and Soul 01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...

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