Skip to main content

Nuyorican boogaloo cha-cha-cha

 I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry.  Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard this music; for those living under a rock and who just never cared; and for those who remember it well and are all too ready to shake a tail feather (if they still can!)-JH

  

Al compás del mundo - programa #162, Broadcast 1-9-25 – Nuyorican music RunList

 01 Richie Ray y Bobby Cruz - Cabo E

02 Joe Bataan - Subway Joe

04 Joe Cuba Sextette con Cheo Feliciano - El Ratón

05 Charlie Palmieri - Las Negritas del Carnavál

06 Joe Quijano - En Puerta de Tierra

07 Eddie Palmieri - Pa' Huele

08 Orchestra Harlow - La Juventud

09 Mongo Santamaria - Watermelon Man

10 Hector Lavoe - Mi Gente

11 Tito Puente - Oye Como Va

12 Grupo Folklorico y Experimental Nuevayorquino - Choco's Guajira

13 Willie Colón - Tiempo Pa’ Matar

14 Willie Bobo - Fried Neck Bones and Some Home Fries

15 Ray Barretto - El Watusi



~v~



Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

Funk and Soul

  Al compás del mundo - programa #169, 2-27-25, Funk and Soul   01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all   What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...