Skip to main content

India y Nepal y Tibet



Where a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic.  But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea.

I’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture. 

There is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fudged a bit in curating this program. Yes, northern India is Himalayan country, and Nepal and Tibet certainly fit that definition, but not all of my Indian choices are from that area. Admittedly, as usual, I selected titles based on their aesthetic merit. Restrictions be damned. Don’t tell me that Baul music (#9) of Bengal threw you off? Or that the semi-classical rapture gifted us by Dr. N. Ramani is less worthy due to its Southern origin? I’m not always a purest, but when I listen to cut #2, a regrettably unnamed singer doing his version of what Northern Europeans called yodeling; or the vital, exuberant presentation of Nepalese folk music by the ensemble Kutumba, I feel all the richer to have shared these airwaves (and the planet) with talented musicians from what is truly far, far away. - JH

Al compás del mundo programa #190, 7-24-25 - India, Nepal and Tibet - RunList

 01 Akshara Music Ensemble - Shadjam (India)

02 anonymous - homage to Khenpo Jigme Phuntsok (Tibet)

03 Prem Rana Autari, Bijaya Vaidya & Surendra Shrestha - Nayaki Kanghada (Nepal)

04 Dr. N. Ramani - Sobhillu Saptasvara (India)

05 Dodzin Wangmo and Thamchoe Wangmo – Advice from the Heart (Tibet)

06 Tarun Bhattacharya - Dhun In Misra Anandi (India)

07 Bah Kerios Wahlang – Meghalaya (India)

08 Kutumba - Kanchi (Nepal)

09 Purna Das Baul - Sholagobe Patore Bhashe (India)

10 anonymous - Ukalima pain hajur motor (Nepal)

11 Govindman Serchan - Tibetan Folk Tune (Tibet)

12 anonymous - 'tdam gling gi nyi ma (Tibet)

Purna Das Baul



Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...