Al compás del mundo is a multi-cultural radio program on streaming platform Radioactiva.TX out of Tequisquiapan, Mexico. And when I say “multi-cultural” I mean what I say! In the program’s Spanish language intro I point out “You never know what you’re going to hear.” In an effort to feature something different every week, past programs include music from Colombia, Black and White blues, psychedelia, jazz and complements, bluegrass-folk, 1950’s rock ‘n roll, the music of French speakers, South and North Africa, Cuba, Eastern Europe, New Orleans sounds, Latin American protest music, the British rock invasion, Palestinian and Arab music, and much etc. When I don’t focus on a particular region or style, I will throw out a potpourri of everything under the sun. In short, eclectic is the byword.
W here a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic. But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea. I ’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture. T here is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fud...
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