Skip to main content

Al compas del mundo - programa 67 - “Jazz” and the influence of music from India

 

Breaking the lease tonight.

TRACKLIST “Jazz” and the influence of music from India first broadcast on RadioActiva March 9, 2023

01 John Handy - Ganeesha's Jubilee Dance

02 John McLaughlin, Jean-Luc Ponty and Zakir Hussein - Lotus Feet

03 Pharoah Sanders - Astral Traveling

04 Cheb i Sabbah - Shri Durga

05 Ravi Shankar and Phillip Glass - Ragas in Minor Scale

06 VidyA, with Prasant Radhakrishnan – Paavanaguru

07 Brooklyn Raga Massive (Coltrane Raga Tribute) - Blue Nile

 

So what do jazz and Indian music, at least the classical styles emulated here, have in common? Improvisation. Both work off of pre-determined scales, provide an intro, and then let ‘er rip! There’s a lot of that here and it works wonderfully well. VidyA’s music is probably the most faithful to its roots, playing Carnatic music from southern India. Though Algerian DJ Cheb I Sabbah’s offering is an actual cut-up of Indian music remixed with his outsider’s taste. And then there’s Pharoah Sanders who borrows some basic subcontinental themes while off on his astral voyage (hoping to meet up with Jonathan Richmond?) Brooklyn Raga Massive’s tribute to Coltrane just floats along in a most delicious way. Ravi Shankar and Zakir Hussein, amongst their country’s greatest musical treasures, are impeccable as always. And starting off this whole trip to lotus land is the Bay Area’s own, saxophonist John Handy, showing us even an elephant god can be light on its feet when given the right musical inspiration. Boogie on, Lord Ganeesha!

The Brooklyn Rhapsodics




Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

India y Nepal y Tibet

W here a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic.  But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea. I ’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture.  T here is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fud...

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...