Skip to main content

Sing the Latin American “New Song” movement, 1960s and 1970s - programa #124


As we strap into the Wayback machine we’re hoping to discover a brave new future in a worker’s paradise (or at least a summer vacation in the Catskills) driven by our fervent calls for regime change and, perhaps, armed revolution. Those were the days, circa 1965-75, when throughout Latin America,  leftists caught a glimmer of hope that life could factually improve for the most downtrodden amongst them. These songs were born of that movement toward justice, equality and a pollo in every pot. A rediscovery and rebirth of traditional folk music was part of the inspiration as well  . . . [continues below]

Al compás del mundo - The Latin American “New Song” movement, 1960s and 1970s
First broadcast 4-18-24

01 Soledad Bravo - Punto y raya (Venezuela)

02 Isabel y Ángel Parra - Este presente festín se lo regalo a cualquiera (Chile)

03 Haciendo Punto en Otro Son - La vida campesina (Puerto Rico)

04 Amparo Ochoa - Por medio de la lectura (México)

05 Atahualpa Yupanqui - Indiecito dormido (Argentina)

06 Carlos Puebla - Hasta siempre (Cuba) [SHOWN BELOW]

07 Karaxú - Los libertadores (Chile)

08 Mercedes Sosa - Si se calla el cantor (Argentina)

09 Daniel Viglietti - Me matan si no trabajo (Uruguay)

10 Los Folkloristas - Manifiesto (México)

11 Los Guaraguao - No basta rezar (Venezuela)

12 Luis Enrique Mejía Godoy - Yo soy de un pueblo sencillo (Nicaragua)

13 Inti Illimani - Rin del angelito (Chile)

14 Violeta Parra - La pericona se ha muerto (Chile) [SHOWN ABOVE]

15 Alfredo Zitarrosa - La ley es tela de araña (Uruguay)

16 Quilapayún - La Batea (Chile)

17 Taoné - Qué bonita bandera (Puerto Rico)

18 Silvio Rodríguez - Madre (Cuba)

 . . . Great art is born of desperation and despair, say some critics, and a number of the themes in this playlist have emerged to become anthems of change familiar to millions, that still, today, are timely and cogent. Has poverty and brutal government repression been eliminated, though? Let’s take the pulse: Cuba – pretty much a basket case in many measures of the “happy life” index; Venezuela: a dictatorship run as a perpetual motion machine (working in the Chavistas favor); Nicaragua: another dictatorship run by those dictatorial forces that overthrew the previous dictator; Puerto Rico: retains its second-class status as a U.S. Commonwealth (misnomer!), still waiting for disaster recovery funds and, apparently, deserving of a paper towel toss; Argentina: 212% inflation last year – though, obviously, a ruined economy improves over a time when thousands were being “disappeared” by the military rulers. I’m not saying Villela, Somoza, Pinochet, Echevarria or Batista weren’t horrendous human beings that should have been plucked from their mothers’ wombs by vultures, or that U.S. sanctions and political chicanery haven’t stood as formidable obstacles in these countries’ development – but we’re teetering on the balance beam of relativity. Because there are those countries represented herein who have made the overthrow of entrenched self-interested leaders work in their favor. Mexico, Uruguay, and Chile are led by folk who are actually working amidst the confines of capitalistic systems to improve the lives of the have-nots within their borders. 

All this to say that the heroic and righteous lyrics of those political songs in this program emboldened the hope of millions amongst the (mostly) younger generation in its time. If their expectations have not been fulfilled, it’s not for lack of trying. 



Comments

Popular posts from this blog

Al compas del mundo - programa #114 - potpourri of fun, fun, fun

  Fun, Fun, Fun. And I do mean fun. Sometimes this summary of a weekly radio show veers off to a serious side, but not today. Not with this batch of winners. Not when we’re leading off with Los Xochimilcas. Like a mix of The Three Stooges and Spike Jones, they clamor for a round of “pulque for two!” with an eloquent danzón accompaniment. Then there’s Pigbag showing off some serious jazz chops…but is it jazz? Then again, who cares? Why fret over labels when we’re here to have fun?! So The Magnetic Fields’ tune isn’t exactly light-hearted glee and all, but fun comes in many packages. I had fun when I first heard I Die You Die. They sounded like the Velvet Underground had they hailed from West Virginia instead of New York. That’s not fun? Relatively speaking, there’s always room for Ennio Morricone. That lonesome whistle thrills me, along with the chorus of grunting injuns. A Spaghetti Western at its stereotypical best. Allen Toussaint, by the way, is one hell of a song writer, in case yo

Al compas del mundo, programa #92 - Japan

The Japanese historically have been a most creative people, excelling in aesthetic conventions like architecture, painting, culinary arts, theatre, music, and more. A craftsman’s care and an artist’s flair have come to define everyday household objects such as articles of clothing and kitchen ware, designed with a sensibility that imbues them with import and elevated status. After WWII in the United States however, an item inscribed “made in Japan” usually indicated a tchotchke of mediocre quality. A perfect example is the large number of Northwest Coast Native American-style bone totem poles made for the tourist shops in the Northwest. There is a distinctive difference in these “artifacts” from the real, home-made variety that illustrates someone from another culture tackling aesthetics they don’t fully comprehend. And that leads us to some of this week’s musical choices. Imitating Western pop, rock and jazz, Japanese artists have recorded many forgettable efforts – not unlike those o

Al compas del mundo – programa #82 - Music of India and its admirers

The country poised to take the lead as the most populous on the planet produces plenty of music, naturally. And it has admirers from across the international spectrum of classical, pop, cinematic and world music genres. So in order to offer a proper representation of Indian sounds we're going to barely scratch the surface in this program - what else could you do in only an hour? Is it proper? Don’t know, but I like what I hear throughout, whether tunes from Bollywood, devotional singing, unvarnished sounds straight from the countryside, highly polished contributions to today’s popular music scene, ancient and structured classical instrumentals, or a sampling of what outsiders have done with Indian melodic and rhythmic structures. The music found here is profound, whimsical, elegant and vital, so sit back and meditate, dance, or however it moves you…but do listen to what 1/6 of the planet’s inhabitants have to say. Run list for Music of India and its Admirers - First broadcast 6-22-