Skip to main content

Musical anxieties (White blues)


What an abundance of talent represented here! And some of their best songs form this playlist, or maybe just songs I happen to like. You be the judge. A Nielsen Ratings agent will be contacting you soon. There’s the classics: It’s Over, Crazy, Some Velvet Morning. There’s favorites from Generation X: Furnace Room Lullaby, We No Who U R, Angelene, and The Ballad of Red Buckets. And there’s that den of thick thieves: Velvet Underground, Nico, and John Cale. Throw in a few outliers like 1960’s Greenwich Village boho Fred Neil, perennially cheerful glass gargler Tom Waits, and The Magnetic Fields straddling bluegrass and death marches. Put it all together and it’s what I’m calling White blues – oozing with angst. My German language skills are non-existent so I cannot speak for the lyrical content of Nico’s song and that of Einsturzende Neubauten, but I’ve the sneaking suspicion they’re not heralding the rebirth of the Age of Aquarius.

P.S. I need to hearken back to the days of yore: one circa 1969 night driving with buddies around the cornfield-studded countryside adjacent to home town Racine, Wisconsin, and probably ‘stoned’ by virtue of ditch-weed marijuana, we caught a distant radio signal - the sort AM super stations could project from, typically, the deep South, Texas, etc. Turned out to be a Christian music station and before I had the chance to switch the dial, the DJ announced the next cut, a wonderful song new to them called “Jesus”, by a New York band, the Velvet Underground. Irony is slapping your mama upside her head with a bible. -J.H.

Programa #132 musical anxieties (White blues)
First broadcast 6-13-24

 

01 Lee Hazelwood - Pray Them Bars Away

02 Johnny Cash – Thirteen

03 Fred Neil - Blues on the Ceiling

04 Roy Orbison - It's Over

05 Patsy Cline – Crazy

06 Lee Hazelwood and Nancy Sinatra - Some Velvet Morning

07 The Magnetic Fields - I Die You Die

08 Neko Case - Furnace Room Lullaby

09 Tom Waits - Everything Goes to Hell

10 Cat Power - He War

11 Nick Cave and the Bad Seeds - We No Who U R

12 PJ Harvey – Angelene

13 Yo La Tengo - The Ballad of Red Buckets

14 Velvet Underground – Jesus

15 Nico – Abschied

16 Einsturzende Neubauten - Stella Maris

17 John Cale - Ides of March



 


 





Comments

Popular posts from this blog

Al compas del mundo - programa #114 - potpourri of fun, fun, fun

  Fun, Fun, Fun. And I do mean fun. Sometimes this summary of a weekly radio show veers off to a serious side, but not today. Not with this batch of winners. Not when we’re leading off with Los Xochimilcas. Like a mix of The Three Stooges and Spike Jones, they clamor for a round of “pulque for two!” with an eloquent danzón accompaniment. Then there’s Pigbag showing off some serious jazz chops…but is it jazz? Then again, who cares? Why fret over labels when we’re here to have fun?! So The Magnetic Fields’ tune isn’t exactly light-hearted glee and all, but fun comes in many packages. I had fun when I first heard I Die You Die. They sounded like the Velvet Underground had they hailed from West Virginia instead of New York. That’s not fun? Relatively speaking, there’s always room for Ennio Morricone. That lonesome whistle thrills me, along with the chorus of grunting injuns. A Spaghetti Western at its stereotypical best. Allen Toussaint, by the way, is one hell of a song writer, in case yo

Al compás del mundo - programa #99 - Los Folkloristas

This week’s Al compás del mundo earns a pair of dedications. Primarily, to Las Folkloristas, a group of Mexican musicians who first came together in 1966 and who continue to the present day, delighting their public and educating them as to the breadth of folk music genres and instrumentation found in every corner of Latin America. The second dedication is to me and my sweetheart wife Claudia – we met at a concert of Los Folkloristas at the Sala Agora in Mexico City, in 1976. And yes, we too are still together. Get out your handkerchiefs and dry your eyes because there’s a story to be told as evidence that there’s a soulmate out there for everyone. You just have to make the effort to look, even if it takes you to a foreign land. And so it goes like this: I spent all of 1976 living in Mexico City, ostensibly to learn Spanish, but en realidad to loaf around, drink beer, practice my saxophone, and maybe, just maybe, look to meet a señorita. I lived in a pension (boardinghouse) owned by Jul

Al compas del mundo, programa #92 - Japan

The Japanese historically have been a most creative people, excelling in aesthetic conventions like architecture, painting, culinary arts, theatre, music, and more. A craftsman’s care and an artist’s flair have come to define everyday household objects such as articles of clothing and kitchen ware, designed with a sensibility that imbues them with import and elevated status. After WWII in the United States however, an item inscribed “made in Japan” usually indicated a tchotchke of mediocre quality. A perfect example is the large number of Northwest Coast Native American-style bone totem poles made for the tourist shops in the Northwest. There is a distinctive difference in these “artifacts” from the real, home-made variety that illustrates someone from another culture tackling aesthetics they don’t fully comprehend. And that leads us to some of this week’s musical choices. Imitating Western pop, rock and jazz, Japanese artists have recorded many forgettable efforts – not unlike those o