Skip to main content

The Caucasus

 


Week #131 in the history of Al compas del mundo takes us to a corner of the globe never explored on the show previously to any real degree: the Caucasus, consisting of Azerbaijan, Armenia and Georgia. Is this region the birthplace of the “Caucasian” race? Likely not, but based on an outdated, biblical (need I say more?) and discredited morphology, the entire human race originated there, while the fair-skinned Whites were the cream of the crop. 

Of course, this is a quick and easy look-see at the region and their folklore. Nothing comprehensive here. If you want the full-bore of musical knowledge, you’ll need to head off to YouTube. Search any of these groups and you’ll be led down a rabbit hole of related songs, dances and customs long-held and proudly celebrated. Georgia is one place many in the West have heard of, if only for the (un)fortunate coincidence of its namesake in the US South. It should better be known as the distinctive home of polyphony, or multi-voice singing of contrasting melodies in harmony.  Hard to conjure up an image of what that might sound like? Follow this search on YouTube for a sublime example: განდაგანა • Gandagana | Basiani. 

What other notable tendencies might one hear in this music? Azerbijani tunes bear a similarity to Persian counterparts, not surprising as they share a lengthy border and their populations are mostly Muslim. And while I looked to include examples from Christian Armenia that were uplifting and danceable, a very large portion of traditional music from there is slow and dirge-like. Perhaps due to a historic record frequently filled with war, suffering and woe? This concept brings up another observation that merits mention. Most of the vintage photos showing images of men from throughout the region, find them posing while armed. A dagger, sword or musket appear to be ubiquitous back in the day. And even in current times, musical groups performing the traditional styles will often dress with a dagger hanging at the waist. I have to admit it’s a relief to attend a concert in the US without the symbolic threat of getting stuck with a knife. The AK-47s we prefer are much better equipped for the job.

So open up your mind to what are, likely, unfamiliar sounds and take an armchair journey to the Caucasus. And remember what your mama always told you: ხევსურეთი , საქართველო არის ესე!

Al compas del mundo - programa #131Runlist - The Caucasus
First broadcast 6-6-24



01 Aslan Dudar - Sosruko Kafe  (Circassia)

02 Elmira Rəhimova - Axtarma Məni (Azerbaijan)

03 Marem Gökhan Şen - Лъагъуныгъэ Уэрэд (Circassia)

04 Betal Ivanov- Batse tsyku (Kabardia)

05 Arpi Alto y grupo - Akh, Nare Nare  (Armenia)

06 Trio Mandili with the Legiana Collective - 't Smidje (Georgia)

07 Anonymous - Georgian Folk Song (Georgia)

08 Anonymous - Ay, Lazzat (Daghestan)

09 Tızeğus - Qafe (Circassia)

10 İlhamə Quliyeva - Dağlar qızı Reyhan (Azerbaijan)

11 Armenian folk group - Kinovi Bar (Armenia)

12 Abkhaz Song and Dance Ensemble - Bgazhba Izi Ashva (Abkhazia)

13 Aminat Napsheva - Zenybzheguish (Circassia)

14 Ensemble Basiani - Gandagana (Georgia)

15 Lok-Batan Folklore Group - Heydarbaba (Azerbaijan)

16 ხევსურეთი , საქართველო არის ესე (Georgia)

17 Abkhaz Song and Dance Ensemble - Azamat (Abkhazia)



Comments

Popular posts from this blog

British blues of the 60s y 70s

  This has to be one of my favorite programs. The British blues scene gave us a healthy dose of reverential and, admittedly, imitative music that awakened a youthful audience suffering from pop fatigue on both sides of the ocean. Of course, the blues, as interpreted by young white musicians who couldn’t have been much further from the Mississippi Delta or the South side of Chicago, can be considered as cultural appropriation. At the same time, those involved in the scene have reminisced that playing the blues was largely a visceral reaction to a compelling combination of rhythm, lyrics and energy that was distinct from the British music scene up to that point. I don’t believe anyone at the time felt guilty playing the songs of their Southern US heroes. Does it make a difference that a number of these groups went on to earn far more money than the originators ever dreamed of? Probably, though many of the greats – Muddy Waters, John Lee Hooker, Sonny Boy Williamson and others – profi...

Nuyorican boogaloo cha-cha-cha

 I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry.  Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard thi...

Funk and Soul

  Al compás del mundo - programa #169, 2-27-25, Funk and Soul   01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all   What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...