Skip to main content

Jazz in many flavors


I’m usually no fan of jazz with strings but Plas Johnson’s bluesy lead-off in this week’s Al compás del mundo stays true to the school of Sidney Bechet meets…umm…Plas Johnson. In fact, big bands have not filled my cup of tea as a rule either, but then Duke Ellington shows me wrong with an adventuresome tune from The Afro-Eurasian Eclipse album. This recording, plus Duke’s New Orleans Suite and Anatomy of a Murder come strongly recommended for those who may have a similar aversion to polite jazz as practiced by a group of 20 musicians. Herbie Hancock dabbles in an Eastern mode and Joe Henderson, a long-time favorite, shows intelligent and beautiful writing while following the same-old, same-old recipe for jazz compositions: a chorus, repeated a second time, followed by solos for all (or most), finale same as the entrance. Still, he does it with verve and the playing never lacks a tense urgency that maintains interest. Saucy, lilting, cascading horns – descriptives that come to mind while listening to Roy Hargrove’s engaging work. Followed by the Grateful Dead?! Nope, it’s a Dead tune but rendered with a vengeance by Don Was & the Pan Detroit Ensemble – the tenor sax, especially in his solo, is weightlifter rough and ready…and there’s that vocalist again! The pace slows dramatically after that with a blues crawl by master Illinois Jacquet and (yet another!) big band number under Orrin Evans’ leadership. I prefer a quintet–septet aggregation in my general jazz listening but here we go again with a show of force and unity, all for the common good. And to finish? Arturo Sandoval does the favor with his trumpet blazing amidst stellar complements. The hour’s up? That’s enough for now. Hasta la próxima! - JH

 Al compás del mundo - programa #161, 1-2-25, jazz

Run list

01 Plas Johnson – Tanya

02 Duke Ellington – Gong

03 Herbie Hancock - Here Come de Honey Man

04 Joe Henderson - Mode for Joe

05 Roy Hargrove - Strasbourg  St. Denis

06 Don Was & the Pan Detroit Ensemble – Loser

07 Illinois Jacquet - Blues Funk for Bill Marlowe

08 Orrin Evans' Captain Black Big Band - In My Soul

09 Arturo Sandoval - Blues 88

Al compas del mundo


Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

India y Nepal y Tibet

W here a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic.  But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea. I ’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture.  T here is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fud...

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...