Skip to main content

Start with Bombino!

 


Al compás del mundo #171, 3-13-25 – potpourri - 

What can I say about yet another potpourri? The first five tracks are lively, guapachosa (danceable) Latin music. The odd group out being the Crazy Ken Band, a Japanese aggregation that does a spot-on take of the New York Puerto Rican sound…until they start singing in Japanese about the barrio Chino. #6 sort of fits with its percussion and slow Caribbean rhythm, though it’s sung mostly in French and comes out of Mali. They even throw in a chorus in Spanish, imitating a 1965 Cuban ode to Che Guevara. India then ramps up a little bhangra energy; Kyrgyzstan offers lilting strings; Niger responds with more strings in a style that’s been loosely referred to as “desert blues”; Tanzania chips in one of those “modern” songs where half of the instruments are electronic keyboard creations – though in this case it’s to back an example of Islamic tarab music, more pop than religious; two cadenced Moroccan tunes make me want to visit that land where this sound is common practice; and a couple of Ethiopian winners (IMHO) finish off the whole shebang. You may have noticed I’ve not mentioned the artists’ names. That’s to induce the non-comatose listener to take a moment and look up info and more music by any one of this talented corps that provokes a positive reaction.  A hint: Start with Bombino!

RUNLIST

01 Manuel de Jesús Abrego y Abdiel Nuñez - Julia Pela la Yuca y el Gallo Blanco (Panama)

02 Los Mirlos - Muchachita del Oriente (Peru)

03 La Misa Negra - El Agua Ya Se Acabó (USA)


04 Crazy Ken Band - Barrio Chino (Japan)

05 Ondatrópica - Gaita Trópica (Colombia-England)

06 Balla Tounkara - Le Monde Est Fou (Mali)

07 Habharjan Mann - Nach Lai (India)

08 Ordo Sakhna ‎– Erke-Sary (Kyrgyzstan)

09 Bombino - Nik Sant Awanha (Niger)

10 Isha Mashauzi - Sio Levo Yako (Tanzania)

11 Aziz Sahmaoui & University of Gnaoua - Lawah Lawah (Morocco)

12 Hind Ennaira - Souriya (Morocco)

13 Imithente - Kumnyama Kuleziyantaba (South Africa)

14 Gili Yalo - Sab Sam (Ethiopia - Israel)

15 Dimonde Melkamu & Asne Abate - Zumbara (Ethiopia)


~~~~

"Blather is the first step toward illumination." - Dali Lama

Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

India y Nepal y Tibet

W here a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic.  But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea. I ’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture.  T here is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fud...

Funk and Soul

  Al compás del mundo - programa #169, 2-27-25, Funk and Soul   01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all   What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...