Al compas del mundo – programa #73

Al compas del mundo – programa #73 - Potpourri Cha Cha Cha

War - What is It Good For? - Appropos of Nothing

You can’t go wrong leading off the show with The Pogues, feeling all blotto and disgusting. Then follow up with Stick in the Wheel, the singer wishing from her jail cell that she ‘n Becky hadn’t nicked stuff from the retail park (shopping center?). What do pre-war Ukrainians sing about? Haven’t a clue.

And the post-war Japanese adoption of American musical tastes is always, or at least, sometimes, worth a listen. The birth of bubblegum music? But then back to serious…beats and brass from the Banda Misterioso; Ocho with quintessential West Coast smooth-ness undressing your mind; Masanka Sankayi out of the slums of Kasai in the Democratic Republic of the Congo with new electric music for the mind and body. Lastly, a dose of the blues - just to lift your spirits!

An interesting side note: Lata Mangeshkar, the Indian film songstress, has made more commercial recordings than any other human ever was.-J.H.

Masanka Sankayi

Tonight's set causes me to conjure backwards! Heard Lata in S.F. in a liquour store - as a street guy egged on a cop / Saw Hound Dog at Gordon Commons - He arrived in a Cadillac in snow so deep - First set totally up - Second Set Way the hell down - He had the Blues, and Paul DeMark of the opening act told me why/ Now Otis Spann, played when I lived in Milwaukee in the last months of his life at the Milwaukee Vocational School and cover was $1 - why didnt I to? I always have to ask. Now Otis Spann. He effused Blues./Saw the Poques twice [and the Popes once] - Very competetive in my recollection of the Drunkest bands I ever saw. -J.V.

Potpourri Run List - First broadcast 4-20-23

01 The Pogues - The Sick Bed Of Cuchulainn (Ireland)

02 Stick in the Wheel - Me N Becky (England)

03 Yagody - Kupalinka (Ukraine)

04 Yara Families with Folk Special - Go Go Chimbooraa (Japan)

05 Lata Mangeshkar - Aj Mere Man Men (Hindustani film Aan) (India)

06 Chaba Minoucha - Ghir habibi ouana (Marocco)

07 Itih S - Dalu Minggu (Indonesia)

08 Ocho - Undress My Mind (USA)

09 Orquesta Akokan - La Corbata Barata (Cuba y USA)

10 Banda Misterioso - Rango Recargado (Oaxaca, Mexico)

11 Juan Madera - La Pollera Colorá (Colombia)

12 Canción anónimo de Ghana

13 Alogte Ono with the Sahel Souls - Zota Yinne (Ghana)

14 Masanka Sankayi - Soif Conjugale (DR Congo)

15 Radio Citizen - The Hop (Germany)

16 Muddy Waters - She's All Right (USA)

17 Otis Spann - Worried Life Blues (USA)

18 Hound Dog Taylor - Taylor's Rock (USA)

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Comments

British blues of the 60s y 70s

This has to be one of my favorite programs. The British blues scene gave us a healthy dose of reverential and, admittedly, imitative music that awakened a youthful audience suffering from pop fatigue on both sides of the ocean. Of course, the blues, as interpreted by young white musicians who couldn’t have been much further from the Mississippi Delta or the South side of Chicago, can be considered as cultural appropriation. At the same time, those involved in the scene have reminisced that playing the blues was largely a visceral reaction to a compelling combination of rhythm, lyrics and energy that was distinct from the British music scene up to that point. I don’t believe anyone at the time felt guilty playing the songs of their Southern US heroes. Does it make a difference that a number of these groups went on to earn far more money than the originators ever dreamed of? Probably, though many of the greats – Muddy Waters, John Lee Hooker, Sonny Boy Williamson and others – profi...

Nuyorican boogaloo cha-cha-cha

I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry. Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard thi...

Funk and Soul

Al compás del mundo - programa #169, 2-27-25, Funk and Soul 01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...

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