Skip to main content

Al compas del mundo - programa #78 - African music with Latin and Caribbean roots

 


We’ve been here before, but let me reiterate: People captured and held as slaves were brought from Africa to the Americas. Their music evolved to become popular amongst the larger population. Recordings spread the sounds worldwide and in parts of Africa from where the slaves had originated, musicians embraced these Latin rhythms and incorporated the styles, even the language in some cases, into a hybrid that was both African and Latin American. The music had travelled full circle. This week’s program features some of the most famous bands of the genre: Bembeya Jazz, Étoile de Dakar, Orchestra Baobab, Rochereau and Grand Kallé were all some of the biggest names in the business during the 1970’s through the 90’s. As any artistic statement should, current musical trends have tapped in to the changing world around them and adopted new techniques and characteristics. I find no fault in that though the merging of Congolese music, for example, with European and American pop styles inspires me less. I’ll stick with the energy of the grandfathers (and mothers). Rhumba, mambo, cha cha cha, salsa…the music is infectious and indelible whether performed in New York, Havana or Kinshasa. - Jim Haas

Run list for 'African music with Latin and Caribbean roots' - First broadcast 5-25-23

 

01 Orchestra Baobab - Autorail (Senegal)

02 Kélétigui et ses Tambourinis - Cigarettes allumettes (Guinea)

03 Tabu Ley Rochereau - Succès African (DR Congo)

04 Bembeya Jazz National - Sabor de Guajira (Guinea)

05 Orchestra Baobab - Sey (with Thione Seck) (Senegal)

06 Étoile de Dakar - Mane Khouma Khol Thi Yao (Senegal)

07 Africando - Ntoman (with Salif Keïta) (Senegal-USA)

08 Kékélé - Mace (DR Congo)

09 Grand Kallé - Merengue Fontaine (DR Congo)

10 Orchestre de la Paillote - Kankan-Yarabi (Guinea)

11 Orchestra Baobab - Mouhamadou Bamba (Senegal)

12 Les Ambassadeurs - Mali Denou (Mali)



 


Comments

Popular posts from this blog

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...

Electric Chicago blues

  Al compás del mundo Run List   #172, 3-20-25 - electric Chicago blues   01 James Cotton - Love Me or Leave Me 02 Sonny Boy Williamson - Wake Up Baby 03 Hound Dog Taylor and the Houserockers - Wild About You, Baby 04 Howlin Wolf - You'll Be Mine 05 John Lee Hooker – Louise 06 Junior Wells - Snatch It Back and Hold It 07 Koko Taylor - Wang Dang Doodle 08 Little Walter - I Don't Play 09 Jimmy Rogers - Walking by Myself 10 J.B. Lenoir - Don't Dog Your Woman 11 Otis Rush - Keep on Loving Me Baby 12 Muddy Waters - I Can't Be Satisfied 13 Sunnyland Slim - Shake It 14 Walter Horton - It's Alright 15 Buddy Guy - When My Left Eye Jumps 16 Magic Sam - She Belongs to Me 17 Johnny Young - Cross-Cut Saw 18 Eddie Boyd - Third Degree 19 Willie Dixon and Friends - I Cry for You   Got to feature the blues from time to time on Al compás del mundo as there seems to be a shortage of such on Mexican radio. Although RadioactivaTX.org, the ...

Experimental Music: Squeak, Squawk, and Skrunk

Leon Theremin and the Orchestra I’m showing my age with today’s Al compás del mundo playlist. Most all the music represented here is from 20-50 years ago. A couple exceptions are Iranian-Canadian Sina Bathaie and Chile’s Föllakzoid, both a nod towards rave culture…which has its origins in the mid -1980s, an old school trip out which lingers on to this day. Experimental music has been around for who knows how long. Rebels always come out of the woodwork when popular taste imposes limitations.  And electronics have influenced and become the medium as far back as the theremin, invented circa 1918. There’s one more ringer in this group (experimental yes, electronic, no) and that’s Steve Reich’s piece, an excerpt from “Pulse.” The chorus and instruments are organic and live – no recorded sounds and no overdubs. That this sort of music has drawn devotees in great numbers and from all parts of the world would make a case for a commonality in human artistic perception and acceptance. Who s...