Skip to main content

Al compás del mundo - programa #99 - Los Folkloristas


This week’s Al compás del mundo earns a pair of dedications. Primarily, to Las Folkloristas, a group of Mexican musicians who first came together in 1966 and who continue to the present day, delighting their public and educating them as to the breadth of folk music genres and instrumentation found in every corner of Latin America. The second dedication is to me and my sweetheart wife Claudia – we met at a concert of Los Folkloristas at the Sala Agora in Mexico City, in 1976. And yes, we too are still together. Get out your handkerchiefs and dry your eyes because there’s a story to be told as evidence that there’s a soulmate out there for everyone. You just have to make the effort to look, even if it takes you to a foreign land. And so it goes like this: I spent all of 1976 living in Mexico City, ostensibly to learn Spanish, but en realidad to loaf around, drink beer, practice my saxophone, and maybe, just maybe, look to meet a señorita. I lived in a pension (boardinghouse) owned by Julieta Bastard. Yup, that was her name – pobrecita. In my search for all things musical I learned of Las Folkloristas and a concert they were presenting in a week’s time. A whole group of us from the pension decided to go and so I went to buy tickets beforehand. Come the day of the show, one of the guys has found a ride to Oaxaca he can’t pass up and leaves me with a single ticket to return. Meanwhile, Claudia, who for a long time has wanted to see Los Folkloristas, shows up by herself as a friend has cancelled on her at the last minute. “Sorry, señorita, but the show is sold-out. No, you cannot stand in the back, it’s not allowed. I’m afraid I cannot let you in. Oh wait, someone just returned a ticket! I guess you’re in luck.” The lightning didn’t strike until after the show, as I snuck up front to record the concert and didn’t meet Claudia until afterwards. Fate and destiny and all that stuff. We still have that cassette (somewhere) but who knows if a 47-year-old cassette would still play…assuming I had something to play it on. So, a number of the songs chosen for this playlist were part of our initial meet-up and carry sentimental value for the Haases. They’re also engaging tunes, expertly played, and intended to delight and educate. - J.H. 

Run List for Folkloristas – a Mexican band playing folk music of Latin America
First broadcast 10-26-23

01 Adiós Mujer (Venezuela)

02 Maria Cumbé (Mexico)

03 Misionera (Paraguay)

04 Refalosa del Adiós (Chile)

05 K'cshampa (Peru)

06 El Paisanito (Argentina)

07 Sao Benedito (Brazil)

08 Tamborito y Tuna (Panama)

09 Belén (Cuba)

10 Arroz Con Concolón (Afro-Peruvian)

11 Jatari Quilatoa (Ecuador)

12 Male Severiana (Purepecha, Mexico)

13 A Una Rosa (Puerto Rico)

14 Carnaval Betanceño (Bolivia)

15 Chimbililí (Bullerengue, Colombia)

16 El Carnaval (Venezuela)

17 Villa de villares (Argentina)

18 Tierra Mestiza (Mexico)

Lost in the rain in Juarez.

 


Comments

Post a Comment

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

India y Nepal y Tibet

W here a human voice is heard in today’s program it’s often starkly different from what most Westerners might find pleasing and melodic.  But I must remind my listeners that the West probably did not invent the concept of vocalizing as accompaniment to plucked/blown/percussed musical instruments. Why do we sing in the style that we do? I imagine there are knowledgeable tomes wrestling with that idea. I ’ve read that vocals were meant to imitate the sounds made by instruments...or vice versa? The chicken or the egg? I’m not here to answer that question, in spite of the college course I had taken of “Music Cultures of the World” decades ago. What I offer is the opportunity to pay attention to and digest musical expressions performed by people steeped in the traditional ways of their culture.  T here is a geographic component to lumping together India, Nepal and Tibet as the Himalayas served to isolate and circumscribe the peoples of those northern regions. But here’s where I fud...

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...