Skip to main content

Al compás del mundo - programa #99 - Los Folkloristas


This week’s Al compás del mundo earns a pair of dedications. Primarily, to Las Folkloristas, a group of Mexican musicians who first came together in 1966 and who continue to the present day, delighting their public and educating them as to the breadth of folk music genres and instrumentation found in every corner of Latin America. The second dedication is to me and my sweetheart wife Claudia – we met at a concert of Los Folkloristas at the Sala Agora in Mexico City, in 1976. And yes, we too are still together. Get out your handkerchiefs and dry your eyes because there’s a story to be told as evidence that there’s a soulmate out there for everyone. You just have to make the effort to look, even if it takes you to a foreign land. And so it goes like this: I spent all of 1976 living in Mexico City, ostensibly to learn Spanish, but en realidad to loaf around, drink beer, practice my saxophone, and maybe, just maybe, look to meet a señorita. I lived in a pension (boardinghouse) owned by Julieta Bastard. Yup, that was her name – pobrecita. In my search for all things musical I learned of Las Folkloristas and a concert they were presenting in a week’s time. A whole group of us from the pension decided to go and so I went to buy tickets beforehand. Come the day of the show, one of the guys has found a ride to Oaxaca he can’t pass up and leaves me with a single ticket to return. Meanwhile, Claudia, who for a long time has wanted to see Los Folkloristas, shows up by herself as a friend has cancelled on her at the last minute. “Sorry, señorita, but the show is sold-out. No, you cannot stand in the back, it’s not allowed. I’m afraid I cannot let you in. Oh wait, someone just returned a ticket! I guess you’re in luck.” The lightning didn’t strike until after the show, as I snuck up front to record the concert and didn’t meet Claudia until afterwards. Fate and destiny and all that stuff. We still have that cassette (somewhere) but who knows if a 47-year-old cassette would still play…assuming I had something to play it on. So, a number of the songs chosen for this playlist were part of our initial meet-up and carry sentimental value for the Haases. They’re also engaging tunes, expertly played, and intended to delight and educate. - J.H. 

Run List for Folkloristas – a Mexican band playing folk music of Latin America
First broadcast 10-26-23

01 Adiós Mujer (Venezuela)

02 Maria Cumbé (Mexico)

03 Misionera (Paraguay)

04 Refalosa del Adiós (Chile)

05 K'cshampa (Peru)

06 El Paisanito (Argentina)

07 Sao Benedito (Brazil)

08 Tamborito y Tuna (Panama)

09 Belén (Cuba)

10 Arroz Con Concolón (Afro-Peruvian)

11 Jatari Quilatoa (Ecuador)

12 Male Severiana (Purepecha, Mexico)

13 A Una Rosa (Puerto Rico)

14 Carnaval Betanceño (Bolivia)

15 Chimbililí (Bullerengue, Colombia)

16 El Carnaval (Venezuela)

17 Villa de villares (Argentina)

18 Tierra Mestiza (Mexico)

Lost in the rain in Juarez.

 


Comments

Post a Comment

Popular posts from this blog

Guitarras del mundo

  Choosing music and writing about “the guitar” opens many doors. I could have gone off in any number of directions and with a singular narrow focus - but I didn’t. Instead, I threw a whole bunch of varied tunes against a wall to see which ones stuck. Sometimes there’s a continuity and other times none: just two aesthetically pleasing pieces that worked well in tandem and, hopefully, were preceded and followed with similar morsels. Usually, that is how these programs come together. I receive a divinely inspired revelation for a certain theme, region, or style of music and build it from there. Baden Powell, Brazilian beatnik poet and guitar master, seemed to me an obvious choice to begin the program. From there (as you can well see) we stick around Latin America a bit; segue into Spain, notorious as a guitar hotbed; head South to North Africa for the venerable Bombino (yes, again!) and more of that desert blues ilk; logically morph into a short blues set and settle at the bottom sid...

Electric Chicago blues

  Al compás del mundo Run List   #172, 3-20-25 - electric Chicago blues   01 James Cotton - Love Me or Leave Me 02 Sonny Boy Williamson - Wake Up Baby 03 Hound Dog Taylor and the Houserockers - Wild About You, Baby 04 Howlin Wolf - You'll Be Mine 05 John Lee Hooker – Louise 06 Junior Wells - Snatch It Back and Hold It 07 Koko Taylor - Wang Dang Doodle 08 Little Walter - I Don't Play 09 Jimmy Rogers - Walking by Myself 10 J.B. Lenoir - Don't Dog Your Woman 11 Otis Rush - Keep on Loving Me Baby 12 Muddy Waters - I Can't Be Satisfied 13 Sunnyland Slim - Shake It 14 Walter Horton - It's Alright 15 Buddy Guy - When My Left Eye Jumps 16 Magic Sam - She Belongs to Me 17 Johnny Young - Cross-Cut Saw 18 Eddie Boyd - Third Degree 19 Willie Dixon and Friends - I Cry for You   Got to feature the blues from time to time on Al compás del mundo as there seems to be a shortage of such on Mexican radio. Although RadioactivaTX.org, the ...

Experimental Music: Squeak, Squawk, and Skrunk

Leon Theremin and the Orchestra I’m showing my age with today’s Al compás del mundo playlist. Most all the music represented here is from 20-50 years ago. A couple exceptions are Iranian-Canadian Sina Bathaie and Chile’s Föllakzoid, both a nod towards rave culture…which has its origins in the mid -1980s, an old school trip out which lingers on to this day. Experimental music has been around for who knows how long. Rebels always come out of the woodwork when popular taste imposes limitations.  And electronics have influenced and become the medium as far back as the theremin, invented circa 1918. There’s one more ringer in this group (experimental yes, electronic, no) and that’s Steve Reich’s piece, an excerpt from “Pulse.” The chorus and instruments are organic and live – no recorded sounds and no overdubs. That this sort of music has drawn devotees in great numbers and from all parts of the world would make a case for a commonality in human artistic perception and acceptance. Who s...