Al compás del mundo - programa #122 - “greatest hits” of Pandemic programs 10-14

Hmmm…what to say that hasn’t been said already about the music in today’s playlist? After all, you’ve heard them all before back in January and February of 2022 when they were first played. That is, if you were paying attention back in those days. Days of pandemic fears and stay-indoor avid radio listening. Glad to have been of service, presenting major attention-grabbers the likes of Cachaito Lopez (Cuban beatnik music – so cool), Sidney Bechet’s licorice stick, Les McCann and Eddie Harris putting everybody in their place, Hayadeh and her spooky Iranian organ, the Velvet Underground searing our brain-pans, shakin’ with the Guess Who (who knew they were Canadian besides their mothers?), losing control over that good thang with the Troggs, and pleading the fifth with The Animals. Seems to me a proper summation of musical choices made long ago, seemingly with little or no logic other than taste leading me on. -J.H.

Runlist for “greatest hits” of Pandemic programs 10-14

First broadcast 4-4-24

01 Banda Los Hijos de la Niña Luz - Déjala Corre (Colombia)

02 Orquesta Ritmo de Sabanas - Porro Bonito (Colombia)

03 Cachaito López - Redención (Cuba)

04 Sidney Bechet - Blackstick (USA)

05 Sonny Criss - Black Coffee (USA)

06 Les McCann and Eddie Harris - Compared To What (USA)

07 Shankar - Raga Aberi (India)

08 Hayedeh - Che Alamy Dareh (Iran)

09 Zoe Keating - Sun Will Set (Canada)

10 Velvet Underground - White Light-White Heat (USA)

11 The Guess Who - Shakin' All Over (Canada)

12 Troggs - I Can't Control Myself (England)

13 Animals - Misunderstood (England)

14 The Trishas - Trouble About My Soul (USA)

$%^%$^%$%$^$%$%^%$^^*&^*&^*&^)(*)(*)(*+_)+)%$#%$#%#%&*^*&^_Ooops! Shakin All Over!

Comments

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it. Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

Funk and Soul

Al compás del mundo - programa #169, 2-27-25, Funk and Soul 01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...

Nuyorican boogaloo cha-cha-cha

I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry. Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard thi...

Search This Blog