Skip to main content

Malome to The Stripper - greatest hits from programs #39-42,

 


Back by popular demand, or perhaps by my lack of ingenuity, are tunes from long ago that begged to be heard yet again. It’s typically challenging, rewarding, even fun, to search for a theme and an hour’s worth of fulfillment while putting together the weekly Al compas del mundo radio show. Skimming from the 40,000+ titles on my portable mp3-filled hard drive, augmented by choices from every musical notion ever recorded off YouTube, I somehow manage to come up with a new concept and fresh songs on a weekly basis. There are times, though, when the creative aura slips and the temptation to just take it easy breaks through and ”back by popular demand” becomes the go-to theme. And who doesn’t want to hear South African group, The Movers, extoll the (admittedly limited) virtues of Soweto; the Littles doing their version of Iranian garage band rock; Johnny Otis band’s sultry version of “Harlem Nocturne;” or for old-time’s sake, peeling the banana of our imagination with David Rose’s “The Stripper”? As compelling as this music is, you’ve heard it all before. But don’t worry, be happy. And like my favorite guru says: “open your eyes and listen.” 


Al compás del mundo  #180, greatest hits from programs #39-42, 5-15-25


01 Tau Ea Matsekha - Malome (Lesotho)

02 The Movers - Soweto Inn (South Africa)

03 Taj Mahal and Toumani Diabate - Queen Bee (USA and Mali)

04 Hallelujah Chicken Run Band - Ngoma Yarira (Zimbabwe)

05 Chiwoniso - Zvichapera (Zimbabwe)

06 Lilia Vera - Gotas De Lluvia (Venezuela)

07 Dobet Gnahoré - Pygmées (Ivory Coast)

08 Littles - Fatemah Sultan (Iran) pictured below

09 Hoba Hoba Spirit - Tri9i (Morocco)

10 Noura - Idurar nagh (Algeria)

11 Jil Jilala - Kouna kountoum (Morocco)

12 Django Reinhardt - Blue Drag (Romani-France)

13 Yves Simon - Au Pays Des Merveilles De Juliet (France)

14 Dom Um Romao - Cinnamon Flower (Cravo E Canela) (Brazil)

15 Johnny Otis Band - Harlem Nocturne (USA) See sheet music above

16 The City of Prague Philharmonic Orchestra - Peter Gunn Theme (Czech Republic)

17 David Rose - The Stripper (England-USA)





Comments

Popular posts from this blog

British Invasion - 1960s

I wanted to declare “Kick out the jams, mo’fos!” as a signpost towards the message in this week’s Al compás del mundo radio show, but that actually came about a little later. As humanity descended ever deeper into the Cro-Magnon state, Iggy Pop and the punks claimed that honor. What we have here instead, is a post-WWII let’s shake up the political order a bit, and no, not everyone has signed up to be an unconscious consumer attitude. There’s something afoot with these lads. Not exactly revolutionary fervor, but most certainly promoting a change in the general way of things. Recalling Che Guevara’s famous quote “Do Wah Diddy Diddy”, the Animals, Yardbirds, Rolling Stones et. al. pouted and preened – some more than others – in a way that hadn’t quite been done before. Youthful vigor ensued. These groups pushed the evolutionary chain of popular music a step further and we’re all better off for it.  Set list Al compás del mundo programa #183, 6-5-25 - The British Invasion, 1960s 01 Yar...

Funk and Soul

  Al compás del mundo - programa #169, 2-27-25, Funk and Soul   01 The Commodores - Brick House 02 Tower of Power - Drop It In The Slot 03 Parliament - Ride On 04 Sly & The Family Stone – Frisky 05 The Webb People – I’m Sending Vibrations 06 Ruby Delicious - Rock Steady 07 Mandrill - Git It All 08 The San Francisco TKOS – Herm 09 Ohio Players - Fire 10 Parliament - Mothership Connection (Star Child) 11 Kool & The Gang - Jungle Boogie 12 Chico and Buddy - A Thing Call the Jones 13 Little Ann – Possession 14 Lafayette Afro-Rock Band - Time Will Tell 15 Parliament - Ain't Nuthin' But a Jam Y'all   What did James Brown mean when he said “we’re gonna have a funky good time”? This “funky” of which he spoke, was it strictly musical (and danceable), or maybe sexual, sociable, or even political? Or maybe a little bit of each? Funk, funky, funkify, funkadelic, funkalicious…all pointing at the pleasure principle…a new dialect for the “blue...

Nuyorican boogaloo cha-cha-cha

 I’m labelling this week’s playlist as “Nuyorican” music, the lion’s share of the players from Puerto Rico or of Puerto Rican ancestry.  Two notable exceptions are Joe Bataan, a Filipino-African American, and Mongo Santamaria born in Cuba. What they all have in common, however, was centered around the music scene of New York City where African American and Latino musicians forged a common ground in creating “boogaloo” dance music, mixing elements of R&B, Soul, and Latin dance rhythms. The boogaloo genre was fairly short-lived, enjoying popularity during the 1960’s before giving way to salsa, in what was largely an East Coast and Caribbean impulse. “Watermelon Man” and ”El Watusi” were early and major boogaloo hits, but truly, most of the titles included in the program were popular recordings in their day, whether cha-cha-chas like Tito Puente’s “Oye Como Va”, or GFyEN’s guajira. I’ve gathered them here for an hour’s worth of revelation for those too young to have heard thi...