Historically, the tango (and its close cousin, the milonga) has been considered an example of world cultural property, i.e. something to be nurtured by the likes of UNESCO. It was born in the 1880s in back streets of Buenos Aires, Argentina and across the river in Montevideo, Uruguay. Considered a lewd, low-class form of entertainment, particularly due to its intimate couples dance moves, it, of course, became the favorite of the masses. Many a music producer has learned that lesson: don’t tell the masses what they should listen and dance to. By the early 20th century France seemed to have a soft spot for the tango, as well as Hungary, Britain, Germany, and other European centers. Record production, cabaret shows and radio broadcasts from the 1920s onward served to introduce this seductive sound to an ever-wider audience. Why did the tango captivate the public far and wide? One could ask the same about reggae music, Cuban rhythms, rock and roll, and other musical trends embraced outside a national or regional boundary. Maybe “lewd” had something to do with it, forbidden fruit et al.
Al compás del mundo 191, 7-31-25 - tangos y milongas
01
Bandonegro - La Cumparsita (Poland)
02 Roberto
Goyeneche - Balada para un Loco (Argentina)
03 Maxi
Larrea and Charles Gorczynski – Berretín (Argentina and USA)
04 Osvaldo
Pugliese - La Mariposa (Argentina)
05 Julio
Sosa - El Firulete (Argentina)
06 Gato Barbieri -
Last Tango in Paris - Tango (Argentina)
07 Stanton
Street Duo - Cuesta Abajo (USA)
08 Armando
Moreno con Enrique Rodríguez - Mis harapos (Argentina)
09 Astor
Piazzola -Tanguedia III (Argentina)
10 Layers -
Por Una Cabeza (South Korea)
11 Richard Galliano
Sextet – Oblivion (France)
12 Alfredo
de Ángelis y Su Orquesta Típica - Milonga celestial (Argentina)
13 Charles
Gorczynski Tango Quartet West - Cinnamon (USA)
14 Héctor
Varela y su Orquesta Típica - Historia de un Amor (Argentina)
15 Carloso
Di Sarli y su Orquesta - Champagne Tango (Argentina)
16 Jorge
Valdez & Jorge Falcon - Quema esas Cartas (Argentina)
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